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We’re all looking for ways to expand our audience, but it’s not about the quantity of followers (I know shocking). It’s about the quality of people who consume our content online.
Imagine if I had 100,000 followers that we’re 70-75 year old, female asian women who love knitting. I’m sure these ladies are the sweetest group of followers ever, but how many of them do you think are in the market to hire a visual content creator and advertising photographer in the US, who specializes in making mind changing videos and product photography? I think you’d agree that a more valuable audience would be a 100 designers, advertising execs, production people and content creators, right?
Well I’ve forgone the asian knitting circle and produced a video for the première Design high school in the US, which happens to be in Miami. Year after year it cranks out a group of World Class fashion designers, architects, filmmakers, industrial designers and graphic artists.
“Why do this work for a high school?” you may ask “it’ll be years before those kids are in a position to hire a professional photographer or commercial cinematographer.” I gotta hand it to you–you’re right, however there are 25 years worth of alumni that are in that position and being that this was for the 25 year anniversary, you could feel the anticipation for this event by the alumni, faculty, staff, parents, community and supporters. So how do you capture their attention? I’ve got two words for you: Anticipation. (OK that’s one word, but I’ll say it again – anticipation drives excitement, which gives you engagement).
Many people knew about the creation of this video. From the school administration and faculty, who helped us find the right alumni to interview to engaged parents and excited alumni giving suggestions, from the world-class executive producer, who helped me put this together to the current students, who we filmed in their class rooms. Everyone knew something was up.
Of course it helps that the event is built on anticipation as well, that there’s an 25 year anniversary involved, that the person featured in the event and video is one of Miami-Dade public schools top educators. You still gotta build anticipation. Let me tell you about a local event I worked on, although the principles apply to any size audience.
You can talk about it, you can Instagram behind the scenes shots of the project (check out my IG feed and let me know which of those images are your favorites), you should make a quick 16 second edit for IG, but the one thing you can not do is share the video. With anyone. Not with the people featured in the video, not with the people you’ve interviewed, not with anyone who does not absolutely, positively have to watch it – like your producer and one person who has the authority to approve it.
Every time you share it with anyone outside of that circle, you lose some anticipation.
Wanna get a sneak peek of what I shot in New York and Miami over the last few days? Check out our celebration of 25 years of making world-class artists and designers in one of the best #PublicSchools in @miamischools! #DASH consistently produces Top Talent in #architecture #IndustrialDesign #fashion #film and #graphicdesign @dashschool
In the end 5 people saw the video (outside my immediate family) before we premiered it at the event: my exec producer, an associate producer, myself and the assistant principal from the school (we wanted to dot our i’s and cross our t’s to make sure there was nothing that the school would object to) and one other principal from another school, who has no connections to this school – I wanted one unbiased opinion.
5 days before the event launched, a short teaser video goes up on social media and is featured in an email blast to everyone at the school and the community, who is invited to the event. Many people came to me in the days leading up to the event saying they are excited to finally watch the final version.
As soon as we had picture lock on the edit, the password protected Vimeo link, used to collaborate with my production team, went dark. Downloads were never enabled and even the AV team got their copy for the show the evening of rehearsal day – barely 24 hours before the event – with explicit instruction, that the video was embargoed until the actual first showing. It wasn’t even used in rehearsal – I had created a special clip for that.
Once the cat’s out of the bag–so to speak–share your content as broadly and as quickly as possible. In this case the official copy of the video was on social media, less than 90 minutes after the live showing – I had to get home from the event and had the first comments soon after.
Figure out where you want the attention, which followed the anticipation, focused on. Release your content in one place and then share that place with everyone – in this case I embedded Vimeo link on one Facebook page and shared that page with my other pages, the schools page, the alumni page, the PTSA page and key influencers.
I’ve done the same for other social media launches. Don’t be afraid to ask certain people (especially those that take the time to like or comment on your content to share it with their followers. Be polite and nice about it, thank them for their contributions, but ask for the share straight up–oh and don’t do that with each one. Pick 2 or 3 a year, find the audience that loves to share the anticipation and go for it.
Wouldn’t it be great, if a potential client could come along on one of your productions and have a front row seat to see how you work, get a behind the scene glimpse of your workflow and get a feel for your personality on a shoot?
Yeah, I know it’s impossible, but wouldn’t that just be an awesome marketing opportunity? Well although it’s not possible to offer that front row seat to ten thousand clients (or even 10) on set with you, here’s the next best thing you can do:
If you take a little bit of time during a shoot, your clients can join you –front and center– virtually anywhere in the world, no not in person, but online.
Here’s a few ways you can put every member of your target audience, specifically your clients and prospects, in a front row seat of your next shoot:
Instagram is visual, it’s quick to produce and you can easily broadcast the photos to your fans on Facebook and your followers on Twitter. Come up with a memorable hashtag that you use in all the photos and let your target audience experience how you run a production from the virtual front row.
Case in point: I posted only 18 images to Instagram on my recent trip to New York. Here’ how they break down: 5 travel shots, 5 behind the scenes shots, 4 food shots, 3 shots from NYC and one shot of my packed camera bag. I posted these shots over the course of 4 days and got audience engagement on all 3 social media channels, from people in the business, current and maybe some future clients.
You don’t have to flood your social media accounts with content while you’re shooting. A little bit goes a long way. You can check out all the photos on my Instagram account @photosbydepuhl, follow me and catch the next series of bts images (check out #adventuresinfilmmaking).
Remember to tag clients, people you’re interviewing or photographing to make it easy for them to like, share and retweet your visual content (just make sure you ask their permission first).
One of the mistakes I’ve made in my career is to rely exclusively on my images to get me booked. That may have worked in the past, but as I get ready to push my business this fall, I know my clients want to see more than just pretty photographs.
I’ve quoted this before, but it’s so valuable I’ll mention it again–Heather Elder* (@heathereldersf) creator of Notes From a Rep’s Journal said “The bottom line is that relying solely on your imagery to speak for you has become dangerous. Adding your voice to that imagery is as dangerous, but for everyone else, not you.” That sounds great, but how on earth do I add my voice to an image?
Clients – at least the ones in the B2B space that I’m working with – are looking for more than just an image: they want a photographer who has a strong Social Media presence, one who understands how small businesses market themselves online, one who is recommended by his/her clients and who takes them behind the scenes of productions he’s worked on. On top of all that they expect award-winning photography and video productions.
With this in mind I’ve started to create integrated marketing campaigns, which focus on a very specific group of people but are executed across a very broad range of media:
The target of your campaign is your website. Everything should bring your client to a homepage that proves to a potential customer one thing only: you are capable of producing the job for them. And how they can contact you (check out how to automate that first customer contact). OK, so that’s two things, but you know what I mean. Does the first image your visitor sees on your site tie into your marketing?
Yes – physical good old-fashioned postcards. With all the emails, Facebook messages, PMs, videos, texts and SMS’s we get today it’s easy to drown in a sea of electronic messages.
How do you compete against this onslaught? Go old school (with a twist): send a handwritten postcard. Clients appreciate knowing that they weren’t part of an automated campaign, filled in with their <FIRST NAME> <LAST NAME> and thanking them for the opportunity to bid on a photography job for <THEIR COMPANY>. A handwritten than gets noticed.
So where’s the twist I mentioned earlier? Well on the back of the postcard is a link that goes to a landing page with the same image, a client testimonial video and a contact form that integrates with my CRM along with all the automation that comes with it. This page continues into a blog series about this shoot, that details how I estimated the job, pre-produced and scouted the job and how the job actually got photographed. (For a more detailed explanation of how the physical postcard gets integrated with my cloud-based CRM, check out this weeks #MarketingHack #17: Link your postcards to the cloud!
The sky is really the limit on how far you want to take it – social media memes, customer video testimonials, organic Facebook campaigns, winning photo contests, behind the scenes videos, online recommendations on LinkedIn, periscope live broadcasts… All these pieces of content make up the voice you need to promote your small business today. How many more channels can you think of that this image could be integrated into? I’m trying to hit a narrow audience in the broadest possible way.
That’s the $64,000 dollar question, isn’t it? As you can imagine a lot of work goes into creating an integrated marketing campaign. “What’s your ROI?” you might ask. Well, let’s look at one example. In this case, I entered a professional photography contest hosted by the Florida Guild of Professional Photographers because winning an award gives me another reason to showcase my work to my target audience, even if they’ve already seen the image before. Here’s my investment:
The real secret is to cross promote these channels: the postcard leads to the landing page with the video testimonial; the news of the award sparks the curiosity of how the image was created and goes to the “how to” blog series; the periscope live broadcast builds excitement before the photograph is even produced (and lives as evergreen
content on the blog); the LinkedIn recommendation causes someone to check out your profile and leads to another visitor to your website… You don’t have to create a linear campaign, where step 2 follows step 1. Someone can enter this integrated marketing campaign at any point and go to almost any other channel to get more info.
As I’m getting ready to come out of the slower summer months and gearing up for a busy fall, a marketing campaign like this can drive the visibility I’m looking for and ensure that new (and repeat) clients are hearing the voice I’m adding to my imagery.
(This post first was written for and published by the American Society of Media Photographer’s strictly business blog.)
Photography by Depuhl is cautiously testing the waters of paid advertising. The first ad began running on December 16th, 2009. Although I have been creating photographs for clients since the late 1980’s, the way of selling yourself as a photographer has drastically changed. You used to have to purchase expensive ads in printed annual professional directories to have your work seen, have an agent that had all the connections – a route that I just could not afford as a beginning photographer. Today I can determine down to the $0.01 how much an ad costs, which search phrase triggers it, when and where it is displayed, …
Paid advertising is the logical next step for our online presence. Back in 2007 I made the decision to put a professional website up online. It is created with an awesome photoshop plugin called sitegrinder. This is my first step in a concerted effort to use the web as my primary sales tool for my fashion and product photography.
In 2008 Photography by Depuhl pursues its online network in earnest …Continue reading
Wow! I just saw something incredible that’s coming soon!
We all use social media to keep in touch with our clients, contacts, suppliers, … at least we try to. The question is always how to integrate Twitter, my facebook page, LinkedIn, … with our webpage and our business, our billing and our contact management system. But if you’re like me, we have a handful of applications, websites, clouds, … and try to piece this all together, automating as much as we can to get them to talk to each other. My blog has my twitter and facebook feed; my facebook feed shows my tweets, the website captures lead information into my CRM and my contact database syncs on my computer, my phone and the internet.
But there are still many components that I need to look up and log into. My cloud based CRM does a nice job of keeping all my marketing and sales information together in one place, my social networking presence is webbed together loosley; but that’s just me – just Photography by Depuhl, my commercial photography company.
What if all of that information was in one place?